Biography

NEW YORK TIMES BESTSELLER - From the chef behind Momofuku and star of Netflix's Ugly Delicious--an intimate account of the making of a chef, the story of the modern restaurant world that he helped shape, and how he discovered that success can be much harder to understand than failure.

"David puts words to so many of the things we all feel, sharing generously of his own journey so we can all benefit in the process."--Chrissy Teigen

In 2004, Momofuku Noodle Bar opened in a tiny, stark space in Manhattan's East Village. Its young chef-owner, David Chang, worked the line, serving ramen and pork buns to a mix of fellow restaurant cooks and confused diners whose idea of ramen was instant noodles in Styrofoam cups. It would have been impossible to know it at the time--and certainly Chang would have bet against himself--but he, who had failed at almost every endeavor in his life, was about to become one of the most influential chefs of his generation, driven by the question, "What if the underground could become the mainstream?"

Chang grew up the youngest son of a deeply religious Korean American family in Virginia. Graduating college aimless and depressed, he fled the States for Japan, hoping to find some sense of belonging. While teaching English in a backwater town, he experienced the highs of his first full-blown manic episode, and began to think that the cooking and sharing of food could give him both purpose and agency in his life.

Full of grace, candor, grit, and humor, Eat a Peach chronicles Chang's switchback path. He lays bare his mistakes and wonders about his extraordinary luck as he recounts the improbable series of events that led him to the top of his profession. He wrestles with his lifelong feelings of otherness and inadequacy, explores the mental illness that almost killed him, and finds hope in the shared value of deliciousness. Along the way, Chang gives us a penetrating look at restaurant life, in which he balances his deep love for the kitchen with unflinching honesty about the industry's history of brutishness and its uncertain future.

**Winner of the Pulitzer Prize in History**

"Extraordinary...a great American biography" (The New Yorker) of the most important African-American of the nineteenth century: Frederick Douglass, the escaped slave who became the greatest orator of his day and one of the leading abolitionists and writers of the era.

As a young man Frederick Douglass (1818-1895) escaped from slavery in Baltimore, Maryland. He was fortunate to have been taught to read by his slave owner mistress, and he would go on to become one of the major literary figures of his time. His very existence gave the lie to slave owners: with dignity and great intelligence he bore witness to the brutality of slavery.

Initially mentored by William Lloyd Garrison, Douglass spoke widely, using his own story to condemn slavery. By the Civil War, Douglass had become the most famed and widely travelled orator in the nation. In his unique and eloquent voice, written and spoken, Douglass was a fierce critic of the United States as well as a radical patriot. After the war he sometimes argued politically with younger African Americans, but he never forsook either the Republican party or the cause of black civil and political rights.

In this "cinematic and deeply engaging" (The New York Times Book Review) biography, David Blight has drawn on new information held in a private collection that few other historian have consulted, as well as recently discovered issues of Douglass's newspapers. "Absorbing and even moving...a brilliant book that speaks to our own time as well as Douglass's" (The Wall Street Journal), Blight's biography tells the fascinating story of Douglass's two marriages and his complex extended family. "David Blight has written the definitive biography of Frederick Douglass...a powerful portrait of one of the most important American voices of the nineteenth century" (The Boston Globe).

In addition to the Pulitzer Prize, Frederick Douglass won the Bancroft, Parkman, Los Angeles Times (biography), Lincoln, Plutarch, and Christopher awards and was named one of the Best Books of 2018 by The New York Times Book Review, The Wall Street Journal, The Boston Globe, The Chicago Tribune, The San Francisco Chronicle, and Time.

An Post Irish Book Awards Nonfiction Book of the Year - A Guardian Best Book of 2020 - Shortlisted for the 2021 Rathbones Folio Prize - Longlisted for the 2021 Republic of Consciousness Prize

When we first met, I was a child, and she had been dead for centuries. I am eleven, a dark-haired child given to staring out window ... Her voice makes it 1773, a fine day in May, and puts English soldiers crouching in ambush; I add ditch-water to drench their knees. Their muskets point towards a young man who is falling from his saddle in slow, slow motion. A woman hurries in and kneels over him, her voice rising in an antique formula of breath and syllable the teacher calls a caoineadh, a keen to lament the dead.

In the eighteenth century, on discovering her husband has been murdered, an Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament that reaches across centuries to the young Doireann Ní Ghríofa, whose fascination with it is later rekindled when she narrowly avoids fatal tragedy in her own life and becomes obsessed with learning everything she can about the poem Peter Levi has famously called "the greatest poem written in either Ireland or Britain" during its era. A kaleidoscopic blend of memoir, autofiction, and literary studies, A Ghost in the Throat moves fluidly between past and present, quest and elegy, poetry and the people who make it.

Emma Gatewood told her family she was going on a walk and left her small Ohio hometown with a change of clothes and less than two hundred dollars. The next anybody heard from her, this genteel, farm-reared, 67-year-old great-grandmother had walked 800 miles along the 2,050-mile Appalachian Trail. And in September 1955, having survived a rattlesnake strike, two hurricanes, and a run-in with Harlem gangsters, she stood atop Maine's Mt. Katahdin. Driven by a painful marriage to an oppressive husband, Gatewood became the first woman to hike the entire Appalachian Trail alone, as well as the first person--man or woman--to walk it twice and three times. Gatewood became a hiking celebrity, and appeared on TV and on the pages of Sports Illustrated. The public attention she brought to the footpath, and her vocal criticism of the lousy, difficult stretches, led to bolstered maintenance, and very likely saved the trail from extinction. The story of Grandma Gatewood will inspire readers of all ages by illustrating the full power of human spirit and determination. Even those who know of Gatewood don't know the full story--a story of triumph from pain, rebellion from brutality, hope from suffering.

"A gutsy success story" (The New York Times Book Review) about one tenacious woman's journey to escape rural poverty and create a billion-dollar farming business--without ever leaving the land she loves

The youngest of her parents' combined twenty-one children, Sarah Frey grew up on a struggling farm in southern Illinois, often having to grow, catch, or hunt her own dinner alongside her brothers. She spent much of her early childhood dreaming of running away to the big city--or really anywhere with central heating. At fifteen, she moved out of her family home and started her own fresh produce delivery business with nothing more than an old pickup truck.

Two years later, when the family farm faced inevitable foreclosure, Frey gave up on her dreams of escape, took over the farm, and created her own produce company. Refusing to play by traditional rules, at seventeen she began talking her way into suit-filled boardrooms, making deals with the nation's largest retailers. Her early negotiations became so legendary that Harvard Business School published some of her deals as case studies, which have turned out to be favorites among its students.

Today, her family-operated company, Frey Farms, has become one of America's largest fresh produce growers and shippers, with farmland spread across seven states. Thanks to the millions of melons and pumpkins she sells annually, Frey has been dubbed "America's Pumpkin Queen" by the national press.

The Growing Season tells the inspiring story of how a scrappy rural childhood gave Frey the grit and resiliency to take risks that paid off in unexpected ways. Rather than leaving her community, she found adventure and opportunity in one of the most forgotten parts of our country. With fearlessness and creativity, she literally dug her destiny out of the dirt.

Sandy: Wow - what a life Sarah Frey has led.  At only 44, she has lived on her own (leaving an erratic homelife behind) since she was 15. Her re-invention of her family farm into the biggest supplier of pumpkins in the world is an inspiring story that strains credulity. Her father’s strange ways nonetheless armed her with the love and self-belief she needed to, say, ask for a $10,000 bank loan at 16 to purchase a bigger better truck because she intended to build her mother’s hobby business of hauling produce from farms to stores.  She got it and paid it back in cash in 3 months.  It’s not really like Educated though it’s easy to compare the two, because her beloved 4 older brothers are the center of her stability and a big reason for her confidence and work ethic.  Her writing style is conversational and plain-spoken - it’s the stories that you will never forget.  After the Harvard Business School used her Farm as a case study, she learned and shares with us how and why her upbringing made her the success she is.  Great for those who love memoir but also - the entrepreneur or business person in your life. 

 

Frey details her life growing up poor on a southeastern Illinois farm, where they had no indoor plumbing and burned wood for heat in winter and where they grew or shot their food. The author and her brothers learned to be tough at a young age, but she doesn’t relate her circumstances in anything less than a matter-of-fact, frequently enthusiastic voice, making the narrative move along in a highly engrossing manner. Though life was demanding, the family was tight. Frey’s father might have taught her independence, but he had no head for business and got by on his wits. Her mother would do what she could to help—e.g., running a melon route where she would pick up local watermelons and cantaloupes and sell them to regional markets. It was backbreaking work, but it put cash in their hands to pay the mortgage. “I loved meeting people, making deals, and I also knew that this was something that could be scaled up exponentially,” writes Frey, who, at 14, learned the fundamental elements of commerce. At 15, she had her own melon route; at 17, she bought the family farm when the bank came to foreclose. “Without this land, I thought, where will we be? More importantly, who will we be?....If I walked away,” she writes, “my brothers and I would never have anything to come home to.” Throughout, Frey makes clear her belief that family sticks together. “Blood is blood,” she writes. “Alone in the world we would be broken. Together we could withstand anything. Right?” And they did, with endless determination and a lot of learning on the fly. With earnest, effective storytelling, Frey demonstrates her character: “impatient, driven, restless, and at time obsessive”—and highly successful. A heart-gladdening memoir of a rare triumph over poverty.