Hiya, it's Sandy. Appreciate you "stopping by" PPB 24, our online store. Here are books we're nuts for now. See ya soon!
Me and PPB Recommend
Reeling from a breakup with his almost fiancée, the narrator of Andrew Palmer's debut novel returns to his hometown in Iowa to house-sit for a family friend. There, a chance flick of the TV remote and a new correspondence with an old friend plunge him into unlikely twin obsessions: the reality show The Bachelor and the Pulitzer Prize-winning poet John Berryman. As his heart begins to mend, his fascination with each deepens. Somewhere along the way, representations of reality become harder and harder to distinguish from real life. Soon he finds himself corresponding with multiple love interests, participating in an ill-considered group outing, and trying to puzzle through the strange turn his life seems to have taken. Intellectually ambitious and keenly observed, The Bachelor is also an absorbing coming-of-age tale that tells the story of finding one's footing in love and art. If salvation can no longer be found in fame, can it still be found in romantic relationships? In an era in which reality TV can make two dozen women fall in love with one man in six weeks, where does entertainment end and reality begin? Why do we, season after season, repeat the same mistakes in love and life?
NEW YORK TIMES BESTSELLER - A NEW YORK TIMES NOTABLE BOOK
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Miami Herald - Newsday - The Huffington Post - Financial Times - GQ - Slate - Men's Journal - Washington Examiner - Publishers Weekly - Kirkus Reviews - National Post - The Toronto Star - BookPage - Bookreporter
Before Gabrielle Hamilton opened her acclaimed New York restaurant Prune, she spent twenty hard-living years trying to find purpose and meaning in her life. Blood, Bones & Butterfollows an unconventional journey through the many kitchens Hamilton has inhabited through the years: the rural kitchen of her childhood, where her adored mother stood over the six-burner with an oily wooden spoon in hand; the kitchens of France, Greece, and Turkey, where she was often fed by complete strangers and learned the essence of hospitality; Hamilton's own kitchen at Prune, with its many unexpected challenges; and the kitchen of her Italian mother-in-law, who serves as the link between Hamilton's idyllic past and her own future family--the result of a prickly marriage that nonetheless yields lasting dividends. By turns epic and intimate, Gabrielle Hamilton's story is told with uncommon honesty, grit, humor, and passion.
Features a new essay by Gabrielle Hamilton at the back of the book
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An exploration of how technology and best intentions collide in the heat of war
A New York Times Book Review Editors' Choice In The Bomber Mafia, Malcolm Gladwell weaves together the stories of a Dutch genius and his homemade computer, a band of brothers in central Alabama, a British psychopath, and pyromaniacal chemists at Harvard to examine one of the greatest moral challenges in modern American history. Most military thinkers in the years leading up to World War II saw the airplane as an afterthought. But a small band of idealistic strategists, the "Bomber Mafia," asked: What if precision bombing could cripple the enemy and make war far less lethal? In contrast, the bombing of Tokyo on the deadliest night of the war was the brainchild of General Curtis LeMay, whose brutal pragmatism and scorched-earth tactics in Japan cost thousands of civilian lives, but may have spared even more by averting a planned US invasion. In The Bomber Mafia, Gladwell asks, "Was it worth it?" Things might have gone differently had LeMay's predecessor, General Haywood Hansell, remained in charge. Hansell believed in precision bombing, but when he and Curtis LeMay squared off for a leadership handover in the jungles of Guam, LeMay emerged victorious, leading to the darkest night of World War II. The Bomber Mafia is a riveting tale of persistence, innovation, and the incalculable wages of war.This small book is big in scope - presenting yet another facet of WWII that is new to me. And who can make a complex topic understandable and fascinating better than Malcolm Gladwell?! This was a one-sitting read which is completely rare for me and nonfiction. Here’s the gist: in the 1920s a small group of Army Airmen, the eponymous Bomber Mafia, start to imagine the possibilities of war waged entirely from the air - conceivably limiting casualties with precision bombing. At the same time, eccentric Dutch inventor and American immigrant, Carl Norden creates the bombsight - a gadget that could “drop a bomb into a pickle barrel at thirty thousand feet.” And then WWII erupts and theory and innovation have a test site. Gladwell presents two Army Air Corps generals, Haywood Hansell and Curtis LeMay with differing approaches at a key turning point in history - the Pacific Theater in the Spring of 1945. Because it’s Gladwell, there are a couple relevant, chatty digressions and a pinch of psychology which elevate the book from textbook history to lived narrative. I couldn’t put it down! - Carrie
NATIONAL BESTSELLER - An award-winning psychologist reveals the hidden power of our inner voice and shows how to harness it to combat anxiety, improve physical and mental health, and deepen our relationships with others.
"A masterpiece."--Angela Duckworth, bestselling author of Grit- Malcolm Gladwell, Susan Cain, Adam Grant, and Daniel H. Pink's Next Big Idea Club Winter 2021 Winning Selection
One of the best new books of the year--The Washington Post, BBC, USA Today, CNN Underscored, Shape, Behavioral Scientist, PopSugar - Kirkus Reviews, Publishers Weekly, and Shelf Awareness starred reviews
Tell a stranger that you talk to yourself, and you're likely to get written off as eccentric. But the truth is that we all have a voice in our head. When we talk to ourselves, we often hope to tap into our inner coach but find our inner critic instead. When we're facing a tough task, our inner coach can buoy us up: Focus--you can do this. But, just as often, our inner critic sinks us entirely: I'm going to fail. They'll all laugh at me. What's the use?
In Chatter, acclaimed psychologist Ethan Kross explores the silent conversations we have with ourselves. Interweaving groundbreaking behavioral and brain research from his own lab with real-world case studies--from a pitcher who forgets how to pitch, to a Harvard undergrad negotiating her double life as a spy--Kross explains how these conversations shape our lives, work, and relationships. He warns that giving in to negative and disorienting self-talk--what he calls "chatter"--can tank our health, sink our moods, strain our social connections, and cause us to fold under pressure.
But the good news is that we're already equipped with the tools we need to make our inner voice work in our favor. These tools are often hidden in plain sight--in the words we use to think about ourselves, the technologies we embrace, the diaries we keep in our drawers, the conversations we have with our loved ones, and the cultures we create in our schools and workplaces.
Brilliantly argued, expertly researched, and filled with compelling stories, Chatter gives us the power to change the most important conversation we have each day: the one we have with ourselves.
As England becomes enmeshed in the early days of World War II and the men are away fighting, the women of Chilbury village forge an uncommon bond. They defy the Vicar's stuffy edict to close the choir and instead "carry on singing," resurrecting themselves as the Chilbury Ladies' Choir. We come to know the home-front struggles of five unforgettable choir members: a timid widow devastated when her only son goes to fight; the older daughter of a local scion drawn to a mysterious artist; her younger sister pining over an impossible crush; a Jewish refugee from Czechoslovakia hiding a family secret; and a conniving midwife plotting to outrun her seedy past. An enchanting ensemble story that shuttles from village intrigue to romance to the heartbreaking matters of life and death, Jennifer Ryan's debut novel thrillingly illuminates the true strength of the women on the home front in a village of indomitable spirit.
In her most ambitious novel to date, New York Times bestselling author Joyce Maynard returns to the themes that are the hallmarks of her most acclaimed work in a mesmerizing story of a family--from the hopeful early days of young marriage to parenthood, divorce, and the costly aftermath that ripples through all their lives
Eleanor and Cam meet at a crafts fair in Vermont in the early 1970s. She's an artist and writer, he makes wooden bowls. Within four years they are parents to three children, two daughters and a red-headed son who fills his pockets with rocks, plays the violin and talks to God. To Eleanor, their New Hampshire farm provides everything she always wanted--summer nights watching Cam's softball games, snow days by the fire and the annual tradition of making paper boats and cork people to launch in the brook every spring. If Eleanor and Cam don't make love as often as they used to, they have something that matters more. Their family.
Then comes a terrible accident, caused by Cam's negligence. Unable to forgive him, Eleanor is consumed by bitterness, losing herself in her life as a mother, while Cam finds solace with a new young partner.
Over the decades that follow, the five members of this fractured family make surprising discoveries and decisions that occasionally bring them together, and often tear them apart. Tracing the course of their lives--through the gender transition of one child and another's choice to completely break with her mother--Joyce Maynard captures a family forced to confront essential, painful truths of its past, and find redemption in its darkest hours.
A story of holding on and learning to let go, Count the Ways is an achingly beautiful, poignant, and deeply compassionate novel of home, parenthood, love, and forgiveness.
NEW YORK TIMES BEST SELLER - A Best Book of 2021: Entertainment Weekly - Good Morning America - Wall Street Journal - and more
From the indie rockstar of Japanese Breakfast fame, and author of the viral 2018 New Yorker essay that shares the title of this book, an unflinching, powerful memoir about growing up Korean American, losing her mother, and forging her own identity.
In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.
As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.
Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR - The Washington Post - Esquire - Glamour - Real Simple - Good Housekeeping - Marie Claire - Parade - Paste - Shelf Awareness - BookRiot Everyone knows DAISY JONES & THE SIX, but nobody knows the reason behind their split at the absolute height of their popularity . . . until now. Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it's the rock 'n' roll she loves most. By the time she's twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things. Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she's pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road. Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend. The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.
What ever happened to Daisy Jones and The Six, the iconic 1970s rock band that topped the charts and sold out stadiums? It’s always been a mystery why the musicians suddenly disbanded.
Reid (The Seven Husbands of Evelyn Hugo, 2017, etc.) takes an unusual approach to dissecting the breakup of the fictional rock band by offering a narrative composed solely of transcribed interviews. At the center of the documentary-style novel is the relationship between lead singer Billy Dunne, recovering addict and aspiring family man, and sexy bad girl Daisy Jones, whose soulful voice and complex lyrics turn out to have been the missing ingredient The Six needed. When Daisy joins the band, the group catapults to fame, but not without cost. She refuses to simply fall in line and let Billy make the artistic decisions. In doing this, not only does she infuriate the band leader, she also sets an example for other members who are only too happy to start voicing their own demands. Over time the tension between Billy and Daisy grows increasingly more complicated, threatening to take its toll on Billy’s home life. He is fiercely loyal to his wife, Camila, while also being fully cognizant of his weaknesses—a torturous combination for Billy. Other band members have their own embroilments, and Daisy’s bestie, disco diva Simone Jackson, enhances the cast, but the crux of the story is about how the addition of Daisy to The Six forever changes the chemistry of the band, for better and worse. There is great buildup around answering the big question of what happened at their final concert together, though the revelation is a letdown. Further, the documentary-style writing detracts from the storytelling; it often feels gimmicky, as though the author is trying too hard for a fresh and clever approach. This is a shame because her past novels, traditionally told, have been far more engaging.
Despite some drawbacks, an insightful story that will appeal to readers nostalgic for the 1970s. - Sandy
From the former director of the Museum of Arts and Design in New York, a timely and passionate case for the role of the well-designed object in the digital age.
Curator and scholar Glenn Adamson opens Fewer, Better Thingsby contrasting his beloved childhood teddy bear to the smartphones and digital tablets children have today. He laments that many children and adults are losing touch with the material objects that have nurtured human development for thousands of years. The objects are still here, but we seem to care less and know less about them.
In his presentations to groups, he often asks an audience member what he or she knows about the chair the person is sitting in. Few people know much more than whether it's made of wood, plastic, or metal. If we know little about how things are made, it's hard to remain connected to the world around us.
Fewer, Better Thingsexplores the history of craft in its many forms, explaining how raw materials, tools, design, and technique come together to produce beauty and utility in handmade or manufactured items. Whether describing the implements used in a traditional Japanese tea ceremony, the use of woodworking tools, or the use of new fabrication technologies, Adamson writes expertly and lovingly about the aesthetics of objects, and the care and attention that goes into producing them. Reading this wise and elegant book is a truly transformative experience.
Adamson writes 34 very brief chapters (though very brief ones) to invite a closer look at different types of objects, materials, craft and production techniques through encounters with people involved with developing, making or using them: we meet the designer of astronauts’ living spaces, a small-town hardware store proprietor, a retired corrections officer, a TV prop manager, and a tribologist who studies the friction of interacting surfaces. Along the way, we are treated to fascinating nuggets of information about how things are made: the working of a fret-saw, how the jacquard loom changed the process of weaving, how changes in automobile silhouettes reflect the drawing tools used to design them, and the technology of injection-moulding plastic. We even learn the elaborate steps of the tea ceremony, which he relates to the awareness and respect for objects, and the craftsmen who made them.
My favorite by far were his own family stories: from his farmer/jet-engine-designer grandfather to his math-prodigy father, his philosopher brother and his physician mother to his own experiences as a museum curator, using each story to draw analogies that make points about materiality and human relationships with objects. - Sandy
INSTANT NEW YORK TIMES BESTSELLER!
2021 Summer Reading Pick by * BUZZFEED * NEW YORK TIMES BOOK REVIEW * KIRKUS * TIME MAGAZINE * GOOD MORNING AMERICA * PEOPLE MAGAZINE * THE WASHINGTON POST
"The book everyone will be talking about ... full of tenderness and understanding." - The New York Times
An "extraordinary" (Oprah Daily) memoir about the friendship between a solitary woman and a wild fox.
When Catherine Raven finished her PhD in biology, she built herself a tiny cottage on an isolated plot of land in Montana. She was as emotionally isolated as she was physically, but she viewed the house as a way station, a temporary rest stop where she could gather her nerves and fill out applications for what she hoped would be a real job that would help her fit into society. In the meantime, she taught remotely and led field classes in nearby Yellowstone National Park.
Then one day she realized that a mangy-looking fox was showing up on her property every afternoon at 4:15 p.m. She had never had a regular visitor before. How do you even talk to a fox? She brought out her camping chair, sat as close to him as she dared, and began reading to him from The Little Prince. Her scientific training had taught her not to anthropomorphize animals, yet as she grew to know him, his personality revealed itself and they became friends.
From the fox, Catherine learned the single most important thing about loneliness: we are never alone when we are connected to the natural world. Friends, however, cannot save each other from the uncontained forces of nature.
Fox and I is a poignant and remarkable tale of friendship, growth, and coping with inevitable loss--and of how that loss can be transformed into meaning. It is both a timely tale of solitude and belonging as well as a timeless story of one woman whose immersion in the natural world will change the way we view our surroundings--each tree, weed, flower, stone, or fox.
"A masterpiece ... One of the best books I've ever read." --J. Courtney Sullivan, author of Friends and Strangers
After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There--after encountering a pair of barnstorming pilots passing through town in beat-up biplanes--Marian commences her lifelong love affair with flight. At fourteen she drops out of school and finds an unexpected and dangerous patron in a wealthy bootlegger who provides a plane and subsidizes her lessons, an arrangement that will haunt her for the rest of her life, even as it allows her to fulfill her destiny: circumnavigating the globe by flying over the North and South Poles. A century later, Hadley Baxter is cast to play Marian in a film that centers on Marian's disappearance in Antarctica. Vibrant, canny, disgusted with the claustrophobia of Hollywood, Hadley is eager to redefine herself after a romantic film franchise has imprisoned her in the grip of cult celebrity. Her immersion into the character of Marian unfolds, thrillingly, alongside Marian's own story, as the two women's fates--and their hunger for self-determination in vastly different geographies and times--collide. Epic and emotional, meticulously researched and gloriously told, Great Circle is a monumental work of art, and a tremendous leap forward for the prodigiously gifted Maggie Shipstead.
The intertwined journeys of an aviatrix born in 1914 and an actress cast to play her a century later.
In a novel twice as long as and an order of magnitude more complex than the well-received Seating Arrangements (2012) and Astonish Me (2014), Shipstead reveals breathtaking range and skill, expertly juggling a multigenerational historical epic and a scandal-soaked Hollywood satire, with scenes playing out on land, at sea, and in the air. "We were both products of vanishment and orphanhood and negligence and airplanes and uncles. She was like me but wasn't. She was uncanny, unknowable except for a few constellations I recognized from my own sky": These are the musings of actress Hadley Baxter. She has been familiar with the story of Marian Graves, an aviatrix who disappeared while trying to circumnavigate the globe, since she was just a little girl—before she became a pop-culture phenomenon, turned into a movie star with a mega-franchise, accidentally destroyed her career, and was given the chance to reinvent herself...by playing Marian in a biopic. The film, Peregrine, is based at least partly on the logbook of Marian's "great circle," which was found wrapped in a life preserver on an ice floe near the South Pole. Shipstead's story begins decades earlier, with the christening of the Josephina Eterna in Glasgow in 1909. The unhappy woman who breaks the bottle on her bow, the laconic captain who takes the ship to sea, the woman he beds onboard, the babies that result from this union—Marian Graves and her twin, Jamie—the uncle who has to raise them when their mother drowns and their father disappears: The destinies of every one of these people, and many more unforgettable characters, intersect in ways that reverberate through a hundred years of story. Whether Shipstead is creating scenes in the Prohibition-era American West, in wartime London, or on a Hollywood movie set, her research is as invisible as it should be, allowing a fully immersive experience.
Ingeniously structured and so damn entertaining; this novel is as ambitious as its heroines—but it never falls from the sky. - Sandy
A Hollywood star banishes himself to Palm Springs only to be thrust back into the limelight by, of all people, his young “niblings," or niece and nephew.
The children, Grant and Maisie, are 6 and 9, respectively, spending the summer with their Uncle Patrick, or GUP as they call him: Gay Uncle Patrick. One of the stars of the beloved TV sitcom The People Upstairs (think Friends), Patrick has for four years marooned himself in the desert, tetchy about his fame, his career, and his unresolved grief over the loss of his partner, Joe, the victim of a drunk driver. “He was so afraid people wouldn’t laugh if everyone knew how twisted he looked on the inside,” Rowley writes about Patrick. Self-critical but charming, suave yet insecure, Patrick is a memorable character, and it’s genuinely thrilling to read screenwriter-turned-novelist Rowley’s take on the mechanics of stardom, especially about a star who’s no longer young. Grant and Maisie are in Palm Springs because their mother has recently died and their father, Patrick’s brother, is near Palm Springs rehabbing from a drug addiction; Patrick becomes the niblings’ de-facto parent and therapist for the summer. The tension between Patrick and the kids initially manifests because their uncle doesn’t follow the same routines as their parents did, but it becomes clear that the maladjustment stems from a deeper wellspring of emotional turmoil. Patrick, meanwhile, hides his vulnerability and grief behind an armor of wit. He must learn to reveal his feelings and rejoin the world, and the children will help him do so. Although some of the plot is predictable (for example, the relationship between Patrick and young actor Emory), there’s true insight here into the psychology of gay men, Hollywood, and parenting.
A novel with some real depth beneath all its witty froth. - Sandy