Poetry

"The poems that make up Anodyne consider the small moments that enrapture us alongside the daily threats of cataclysm. Formally dynamic and searingly personal, Anodyne asks us to recognize the echoes of history that litter the landscape of our bodies as we navigate a complex terrain of survival and longing. With an intimate and multivocal dexterity, these poems acknowledge the simultaneous existence of joy and devastation, knowledge and ignorance, grief and love, endurance and failure-all of the contrast and serendipity that comes with the experience of being human. If the body is a world, or a metaphor for the world, for what disappears and what remains, for what we feel and what we cover up, then how do we balance fate and choice, pleasure and pain? Through a combination of formal lyrics, delicate experiments, sharp rants, musical litany, and moments of wit that uplift and unsettle, Queen's poems show us the terrible consequences and stunning miracles of how we choose to live"--

Winner, 2015 National Book Critics Circle Award, poetry category
Winner, 2016 Kingsley Tufts Poetry Prize
Finalist, 2015 National Book Award, poetry category
Finalist, 2015 NAACP Image Awards, poetry category

Catalog of Unabashed Gratitude is a sustained meditation on that which goes away--loved ones, the seasons, the earth as we know it--that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all--death, sorrow, loss--is converted into what might, with patience, nourish us.

Illus. in black-and-white. This classic collection of poetry is available in
a handsome new gift edition that includes seven additional poems written after
"The Dream Keeper" was first published. In a larger format, featuring
Brian Pinkney's scratchboard art on every spread, Hughes's inspirational
message to young people is as relevant today as it was in 1932. "There's no
better way to show kids what poetry is about than to share this
collection."-- "Booklist."

Voted a Best Poetry Book of the Year by Library Journal

Included in Publishers Weekly's Top 10 Poetry Books of the Year

One of LitHub's most Anticipated Books of the Year!

A State of the Union from the nation's first Latino Poet Laureate. Trenchant, compassionate, and filled with hope.

Many poets since the 1960s have dreamed of a new hybrid art, part oral, part written, part English, part something else: an art grounded in ethnic identity, fueled by collective pride, yet irreducibly individual too. Many poets have tried to create such an art: Herrera is one of the first to succeed.--New York Times

Herrera has the unusual capacity to write convincing political poems that are as personally felt as poems can be.--NPR

Juan Felipe Herrera's magnificent new poems in Every Day We Get More Illegal testify to the deepest parts of the American dream--the streets and parking lots, the stores and restaurants and futures that belong to all--from the times when hope was bright, more like an intimate song than any anthem stirring the blood.--Naomi Shihab Nye, The New York Times Magazine

From Basho to Mandela, Every Day We Get More Illegal takes us on an international tour for a lesson in the history of resistance from a poet who declares, 'I had to learn . . . to take care of myself . . . the courage to listen to my self.' You hold in your hands evidence of who we really are.--Jericho Brown, author of The Tradition

These poems talk directly to America, to migrant people, and to working people. Herrera has created a chorus to remind us we are alive and beautiful and powerful.--José Olivarez, Author of Citizen Illegal

The poet comes to his country with a book of songs, and asks: America, are you listening? We better listen. There is wisdom in this book, there is a choral voice that teaches us 'to gain, pebble by pebble, seashell by seashell, the courage.' The courage to find more grace, to find flames.--Ilya Kaminsky, author of Deaf Republic

In this collection of poems, written during and immediately after two years on the road as United States Poet Laureate, Juan Felipe Herrera reports back on his travels through contemporary America. Poems written in the heat of witness, and later, in quiet moments of reflection, coalesce into an urgent, trenchant, and yet hope-filled portrait. The struggle and pain of those pushed to the edges, the shootings and assaults and injustices of our streets, the lethal border game that separates and divides, and then: a shift of register, a leap for peace and a view onto the possibility of unity.

Every Day We Get More Illegal is a jolt to the conscience--filled with the multiple powers of the many voices and many textures of every day in America.

Former Poet Laureate Juan Felipe Herrera should also be Laureate of our Millennium--a messenger who nimbly traverses the transcendental liminalities of the United States . . .--Carmen Gimenez Smith, author of Be Recorder

A masterfully curated collection, drawn from a century of works in the acclaimed Yale Series of Younger Poets

The Yale Younger Poets prize is the oldest annual literary award in the United States. Its winners include some of the most influential voices in American poetry, including Adrienne Rich, John Ashbery, Margaret Walker, Carolyn Forché, and Robert Hass.

In celebration of the prize's centennial, this collection presents three selections from each Younger Poets volume. It serves as both a testament to the enduring power and significance of poetic expression and an exploration of the ways poetry has evolved over the past century. In addition to judiciously assembling this wide-ranging anthology, Carl Phillips provides an introduction to the history and impact of the Yale Younger Poets prize and its winners in the wider context of American poetry, including the evolving roles of race, gender, and sexual orientation.