Historical Fiction
Winner of the Kiriyama Pacific Rim Book Prize
A New York Times Notable Book of the Year
Winner of the Whiting Writers' Award
A Seattle Post-Intelligencer Best Book of the Year
Downed during his first mission, James Hunter is taken captive as a German POW. To bide the time, he studies a nest of redstarts at the edge of camp. Some prisoners plot escape; some are shot. And then, one day, James is called to the Kommandant's office. Meanwhile, back home, James's new wife, Rose, is on her own, free in a way she has never known. Then, James's sister, Enid, loses everything during the Blitz and must seek shelter with Rose. In a cottage near Ashdown forest, the two women jealously guard secrets, but form a surprising friendship. Each of these characters will find unexpected freedom amid war's privations and discover confinements that come with peace. The Evening Chorus is a beautiful, astonishing examination of love, loss, escape, and the ways in which the intrusions of the natural world can save us.
"The Evening Chorus serenades people brutally marked by war, yet enduring to live -- and relish -- the tiny pleasures of another day. With her trademark prose -- exquisitely limpid -- Humphreys convinces us of the birdlike strength of the powerless." -- Emma Donoghue
"The Evening Chorus sparkles." --Jo Baker
"A poised, lyrical novel about the griefs of war, written with poetic intensity of observation." --Helen Dunmore
Acclaimed, award-winning author James L. Nelson - praised as "a master of both his period and the English language" by Patrick O'Brian - returns to the world of sea and sail in The French Prize, a page-turning historical novel.
Jack Biddlecomb has much to live up to, being as he is the eldest son of the esteemed Captain Isaac Biddlecomb, wealthy merchant captain, leading light of the War for American Independence, and newly minted congressman. Jack finds himself off to a promising start, however, when he's given command of the merchant vessel Abigail bound from Philadelphia for Barbados.
But even before the dock lines are cast off, the voyage, which should have been routine, begins to look like a stormy passage indeed. Jack is saddled with two passengers, one as unpleasant as he is highborn, the other a confidant of the Abigail's owner who cannot help meddling in the running of the ship. What's more, with the French making prizes of American merchantmen, Abigail's owner has armed the ship and instructed Jack to fight if need be, thrusting the first-time captain and his small crew into a naval war for which they are totally unprepared.
What Jack does not know, but soon begins to suspect, is that he is being used as part of a bigger plot, one that will have repercussions on an international scale.
Constance Kopp doesn't quite fit the mold. She towers over most men, has no interest in marriage or domestic affairs, and has been isolated from the world since a family secret sent her and her sisters into hiding fifteen years ago. One day a belligerent and powerful silk factory owner runs down their buggy, and a dispute over damages turns into a war of bricks, bullets, and threats as he unleashes his gang on their family farm. When the sheriff enlists her help in convicting the men, Constance is forced to confront her past and defend her family -- and she does it in a way that few women of 1914 would have dared. "A smart, romping adventure, featuring some of the most memorable and powerful female characters I've seen in print for a long time. I loved every page as I followed the Kopp sisters through a too-good-to-be-true (but mostly true!) tale of violence, courage, stubbornness, and resourcefulness." -- Elizabeth Gilbert
In the midst of boomtown Chicago, two Jewishfamilies have suffered terrible blows. The Lehrmans, who run a small hat factory, lost their beloved son Harold in a blizzard. The Chimbrovas, who run a saloon, lost three of their boys on the SS Eastland when it sank in 1915. Each family holds out hope that one of their remaining children will rise to carry on the family business. But Benny Lehrman has no interest in making hats.His true passion is piano especially jazz.
At night he sneaks down to the South Side, slipping into predominantly black clubs to hear jazz groups play. Along the way he meets a black trumpeter, a man named Napoleon who becomes Benny s close friend and musical collaborator. Their adventures together take Benny far from the life he knew as a delivery boy. Pearl Chimbrova recognizes their talent and invites them to start playing at her family s saloon, which Napoleon dubs The Jazz Palace.
Even as the novel charts the story of its characters, it also tells the tale of the city where they live. It is a world of gangsters, musicians, and clubs, in which black musicians are no freer than they were before the Civil War, white youths head down to the South Side to slum, and Al Capone and Louis Armstrong become legends. As The Jazz Palace steams through the 1920s, Benny, Pearl, and Napoleon forge a bond that is as memorable as it is lasting."
"Written in prose so clear that we absorb its images as if by mind meld, "The Last Painting" is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it's fiction that keeps you up at night -- first because you're barreling through the book, then because you've slowed your pace to a crawl, savoring the suspense." --Boston Globe
A New York Times BestsellerA New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city's Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer's marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.
A New York Times Bestseller
NATIONAL BOOK AWARD FINALIST
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER
Marilynne Robinson, one of the greatest novelists of our time, returns to the town of Gilead in an unforgettable story of a girlhood lived on the fringes of society in fear, awe, and wonder. Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church-the only available shelter from the rain-and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister, John Ames, and begins a new existence while trying to make sense of the life that preceded her newfound security. Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood. Together they crafted a life on the run, living hand to mouth with nothing but their sisterly bond and a ragged blade to protect them. Despite bouts of petty violence and moments of desperation, their shared life was laced with moments of joy and love. When Lila arrives in Gilead, she struggles to reconcile the life of her makeshift family and their days of hardship with the gentle Christian worldview of her husband which paradoxically judges those she loves. Revisiting the beloved characters and setting of Robinson's Pulitzer Prize-winning Gilead and Home, a National Book Award finalist, Lila is a moving expression of the mysteries of existence that is destined to become an American classic.
A richly imagined and stunningly inventive literary masterpiece of love, art, and betrayal, exploring the genesis of evil, the unforeseen consequences of love, and the ultimate unreliability of storytelling itself.
Paris in the 1920s shimmers with excitement, dissipation, and freedom. It is a place of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club's loyal denizens, including the rising Hungarian photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol; and the caustic American writer Lionel Maine.
As the years pass, their fortunes--and the world itself--evolve. Lou falls desperately in love and finds success as a race car driver. Gabor builds his reputation with startlingly vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant twenties give way to darker times, Lou experiences another metamorphosis--sparked by tumultuous events--that will warp her earnest desire for love and approval into something far more.
